Swati Sanjay Pillai (Raigarh Gharana Kathak Artist) has been in the field of Kathak for over 25 years. Swati was trained from an early age under the guidance of Guru Bhupedra Bareth (Raigarh Gharana), DR. Rakhi (Raigarh Gharana), and Joshi Dr. Vijaya Sharma (Raigarh Gharana), performing and presenting at leading venues in India.
Swati is a kathak dancer from Raigarh Gharana. She had an affinity towards dance since childhood. She started to learn Kahtak at the age of 3 years.
During this time, Swati is, renowned Kathak dancer of Raigarh Gharana. Swati found an interest in Kathak dance and started Kathak training at the age of 3 . Later, she completed her schooling from MCEE CBSE school and, with studies, she has done her Kathak Kalaratna and Kathka kala Vid diplomas, which is equivalent to a MA degree.
She has done her graduation in B.Tech Civil Engineering and post graduation in M.A.Kathak Degree from Raja Mansingh Tomar University, Gwalior.
At present, she is perusing her PHD in Kathak and is a consistent SRG (state level Master trainer of Kathak in MP) in CCLE and CM Rise school government programme of the school education department in Bhopal, MP.
The aim is to keep alive our prestigious Kathak dance culture by giving training to her disciples. She is always enthusiastic about giving dance training to disciples.
Ms. Swati Sanjay Pillai stated, My breath and my joy is Kathak. Dance has been a breakthrough for me personally. Through dance, I found myself, and within myself, I found God. Swati believes it is important to think deeply about the form, continue training rigorously, and attempt one’s own interpretations to shape your journey. She stated that evolving with the dance form to find your own artistic voice is truly important. My gurus have inspired me to keep questioning and find new ways of expressing creativity. People might love it or hate it, but one must have the courage to dance their own dance, to express their truth.
Kathak is commonly regarded as one of the seven classical dances of India and is the only one from North India. Kathak has been enriched greatly by the contributions of musicians, dancers, professional women artists, and court and landlord patronage. She explained that Kathak is an elegant dance form of Northern India and revolves around the concept of story- telling related to Indian ancient and mythological culture. It is further characterised by intricate footwork, body movement, and precise rhythmic patterns. Kathak is one of the 8th major forms of Indian classical dance. The origin of Kathak is traditionally attributed to the travelling birds in ancient Northern India known as kathakers, or storytellers. The term Kathak is derived from the Vedic Sanskrit words Katha, which means story, and kathakar, which means the one who tells a story or has to do with stories. Wandering Kathak communicated stories from the great epics and ancient mythology through dance, songs and music. Kathak dancers tell stories with their hand movements and extensive footwork; body moments and flexibility; and, most importantly, facial expressions.It has both the influences of Hindu and Muslim gharana and cultural elements in it. Kathak performances include Bhajan and Urdu ghazals because they are commonly used in both the codes as well as in temples too. Kathak is found in four distinct forms called Gharana, named after the cities where the Kathak dance tradition evolved; they are Jaipur, Banaras, Lucknow, and Raigarh. Where every Indian classical dance is rooted in the rhythms of the taal, Kathak is in fact the only one in which the taal itself is brought to life. Some of the most well-known taal structures, like the tritaal [16 beats], jhaptaal [10 beats], chautaal [12 beats], and dhamar [14 beats], are often taken to the stage by a performer and highlighted through compositions like those, amad, toda, paran, and tatkaar [footwork]. She stated that evolving with the dance form to find your own artistic voice is truly important.Swati is undoubtedly an inspiration for all the young girls out there who are aiming to learn kathak, as she makes it look easy and mesmerizing, making us want to try it out ourselves.
Dance is the best way to express anything, whether you are feeling low or excited. It is the one language that every person in this world can communicate with. Some people find God through dance, and some people make dance their God. It is through gestures and feelings that you multiply energy and positive vibes.
Because of westernisation, the main soul of classical form is getting Wednesday by them, as we are all aware that it was basically done in the previous era in temples, Mughal courts, and local gatherings or in public gatherings, so keeping that in mind, we should never tarnish or completely transform its main essence, or the form which directly connects to garden spirituality needs to be more in its original form only.
New variations can be done, which is pleasing to the new generation as well, but to break the old heritage form of dance for the sequence just to please the audience will be unfair to the worship which you have learnt with so much hard work, dedication and patience in Guru shishya parampara. But to get new audiences interest in Kathak, everyone has started experimenting with it, which is quite surprising with positive outcomes.
I personally look up to being an international artist with new innovations without taking the main essence of Kathak away, so that I can spread in teaching whatever I have learnt can be beneficial for the next generation to retain their interest in Kathak.
It would be great if I could make something that is like a complete package for them so that they can get connected to God, meditate, and learn about the spiritual knowledge of culture and, of course, the main route of Kathak, but today I feel vindicated that World Dance Day is widely accepted by the dance community organisation and most importantly, by the audience.